Joan laughed. “I’m a drummer boy,” she answered. “I beat my drum each week in a Sunday newspaper, hoping the lads will follow.” “You are a wicked God,” Joan told Him. “Yes, You are. A cruel, wicked God.”!

A message came for Mary about ten o’clock, brought by a scared little girl, who whispered it to her at the door. Mary apologized. She had to go out. The party broke up. Mary disappeared into the next room and returned in a shawl and bonnet, carrying a small brown paper parcel. Joan walked with her as far as the King’s Road. “You will be honest with me, won’t you?” pleaded Flossie, “because it’s so important, and I don’t seem able to think for myself. As they say, no man can be his own solicitor, can he? Of course I like him, and all that—very much. And I really believe he loves me. We were children together when Mummy was alive; and then he had to go abroad; and has only just come back. Of course, I’ve got to think of him, too, as he says. But then, on the other hand, I don’t want to make a mistake. That would be so terrible, for both of us; and of course I am clever; and there was poor Mummy and Daddy. I’ll tell you all about them one day. It was so awfully sad. Get him into a corner and talk to him. You’ll be able to judge in a moment, you’re so wonderful. He’s quiet on the outside, but I think there’s depth in him. We must go in now.”

Mrs. Phillips’s thin hands were playing nervously with the bed clothes. There still seemed something that she had to say. As if Joan hadn’t thought of everything. Her eyes were fixed upon the narrow strip of light between the window curtains. She flung herself from the bed and drew the blind. A chill, grey light penetrated the room. It was a little before five. She would go round to Phillips, wake him up. He must be told. In the end she would go into Parliament. It would be bound to come soon, the woman’s vote. And after that the opening of all doors would follow. She would wear her college robes. It would be far more fitting than a succession of flimsy frocks that would have no meaning in them. What pity it was that the art of dressing—its relation to life—was not better understood. What beauty-hating devil had prompted the workers to discard their characteristic costumes that had been both beautiful and serviceable for these hateful slop-shop clothes that made them look like walking scarecrows. Why had the coming of Democracy coincided seemingly with the spread of ugliness: dull towns, mean streets, paper-strewn parks, corrugated iron roofs, Christian chapels that would be an insult to a heathen idol; hideous factories (Why need they be hideous!); chimney-pot hats, baggy trousers, vulgar advertisements, stupid fashions for women that spoilt every line of their figure: dinginess, drabness, monotony everywhere. It was ugliness that was strangling the soul of the people; stealing from them all dignity, all self-respect, all honour for one another; robbing them of hope, of reverence, of joy in life.